Have you ever wondered; how do I want to die ? How do I want people to say goodbye to me ? And how should people remember me ? The question of parting, mourning and death affects us all, but also of memory and solidarity in dealing with the end. These are the questions andLire la suite « What remains »
Archives de la catégorie : NEXT Festival
Rebot
Waking up Alice Negri, Anna Giulia Mauro and Viva Tange, three girls adhering to the TeenNEXTers project, tell us, in this critical article, about the only “SOMNOLE”, viewed during the NEXT Festival. Remove dance from formal constraints, break it down and rearrange it, to get to know it in depth, to know how to shapeLire la suite « Rebot »
Sonatas and interludes: a piece of art about everything and nothing
Have you ever heard a piano that had been manipulated by spikes? In Sonatas and interludes a powerful piece, performed by Lenio Kaklea you will experience this unnatural sound. Kaklea is a choreographer from Greece who began to create contemporary dance performances after her studies. She uses her body in a way only a fewLire la suite « Sonatas and interludes: a piece of art about everything and nothing »
La dispute (Mohamed El Khatib) – l’avis de Catalina (en anglais)
What revolves inside tiny minds? Unfortunately, Swann (8) couldn’t be present to perform the play tonight. She apologizes about her absence through a video fragment projected on a LEGO wall. She fears the show will lose in quality without her. But why is she in this position? She hands us the answer before we couldLire la suite « La dispute (Mohamed El Khatib) – l’avis de Catalina (en anglais) »
Our daily performance – l’avis de Noémi
ITALIANO « Our Daily Performance » consiste nella trasposizione in testo teatrale di molteplici ‘tutorial’, un fenomeno virale del web : persone da tutto il mondo rendono pubblici i loro ‘life hacks’, letteralmente strategie di sopravvivenza per rendere più semplici azioni quotidiane riducendone i tempi. Nello spettacolo si passa dunque in rassegna un catalogo di tutorial senza maiLire la suite « Our daily performance – l’avis de Noémi »
Our daily performance – L’interview de Barbara Matijevic
Tous vos spectacles parlent d’Internet, pourquoi ce sujet là en particulier ? Avec Internet, on rentre dans la vie des autres, donc comment la vie des autres rentre dans la nôtre ? Tout ça nous semblait être un terrain fertile pour l’exploiter dans le théâtre, car nous nous sommes dit que si le théâtre n’avait rien àLire la suite « Our daily performance – L’interview de Barbara Matijevic »
Our daily performance – Giuseppe Chico and Barbara Matijevic
“With Our daily performance we approach the tutorial as a new type of ritual”, this is what Giuseppe Chico and Barbara Matijevic (the two directors) told us about the show. Before describing the show I want to define what a ritual is: A ritual is a prescribed order for performing a ceremony, especially one characteristicLire la suite « Our daily performance – Giuseppe Chico and Barbara Matijevic »
La dispute : Kinderen aan het woord
Heb je je kinderen ooit verteld dat ze voor jou op de eerste plaats komen ? Denk je dat ze het niet horen wanneer jullie ruzie maken ? Heb je het uitgesteld om ze te vertellen dat jullie uit elkaar gaan ? In La Dispute van Mohamed El Khatib confronteren kinderen ouders met pijnlijke vragen . Ze gaanLire la suite « La dispute : Kinderen aan het woord »
Anna Franziska Jäger raconte Toverberg
Notre reporter Sacha Pigache est allé à la rencontre de l’actrice de Toverberg, Anna Franziska Jäger. Une interview sonore accordée juste avant le spectacle.
Our Daily Performance: Rituelen in de eenentwintigste eeuw
Hoe groot is de invloed van Youtube op ons doen en denken? Waarom kijken we massaal online tutorials en vooral: wie maakt ze? In de voorstelling Our Daily Performance onderzoeken Barbara Matijévic en Giuseppe Chico deze vragen aan de hand van dans, theater, muziek en zelfs vechtsport. In hun show leggen ze tutorials bloot alsLire la suite « Our Daily Performance: Rituelen in de eenentwintigste eeuw »
scenenews.news.blog 